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Built to Sing Vocal Workshop

“I’ve created an exclusive workshop experience to share my singing inspiration! Spaces are limited and will fill up quickly, so enroll today for these guided studies of breathing and intense sound production.” ~Victoria Holland

WHAT YOU’LL LEARN

Dr. Holland guides each singer through the precise principles, encouraging a personal path of development and understanding. Breathing in a natural way - the way in which we are built to breathe - forms the strong foundation necessary to craft a compelling performance. You will learn from observing others in additional to putting the work into motion in your choice of repertoire.

 

AN EXCITING OPPORTUNITY

This unique approach to a singer’s development is based on how the human body makes intense sound. Workshop participation reinforces the technique. Each group workshop is approximately three hours in length, with a collaborative pianist, and is limited to no more than five singers.

DATES FOR THE WINTER WORKSHOP WILL BE ANNOUNCED.

To be added to the Vocal Workshop waiting list, please click here.

Schedule and Locations

Winter dates to be announced.

EVANSTON, ILLINOIS

Saturday, October 27th, 10am-1pm [enrollment closed]
Saturday, October 27th, 2-5pm [enrollment closed]
Sunday, October 28th, 2-5pm [enrollment closed]
Saturday, November 17th, 10am-1pm [enrollment closed]
Saturday, November 17th, 2-5pm [enrollment closed]

TORONTO, ONTARIO

Sunday, November 11th, 2-5pm (The Annex neighborhood) [enrollment closed]
Monday, November 12th, 6-9pm (Yorkville neighborhood) [enrollment closed]
Tuesday, November 13th, 6-9pm (Yorkville neighborhood) [enrollment closed]


FAQ

ANSWERED BY DR. HOLLAND

Q: Why Built to Sing?
A: The world of opera and solo singing is highly competitive. To craft a compelling performance, the singer’s technical foundation must be solid. Decision time when you’re on stage is infinitesimal. Build a foundation based on your body’s natural abilities to make and sustain intense sound, then you can craft compelling and spontaneous performances using your fabulous musicianship and interpretive skills.

Q: What is your teaching approach?
A: I am moved by beautiful singing. My search for understanding how to achieve it led me to soprano Delia Surratt, who is teaching me to sing at a level I only dreamed of. As I continue to evolve my singing and performing skills, I share my inspiration with others. The results are amazing! We are using our bodies as wind instruments, making naturally intense sound that is so beautiful and expressive and uniquely our own.

Q: I’m a professional singer. How can I benefit from this approach?
A: To be competitive in the professional singing world, the sound production must be beautiful, expressive, and freely projected throughout the vocal range. The audience doesn’t want to perceive any work or struggle in the vocal production, and the acting must be authentic. I continually see how this approach allows serious, competitive singers to reach their highest potential. Don’t let unnecessary tensions hold you back!

Q: Is this workshop for professional singers only?
A: No! Singers of all experience levels can benefit from the workshop sessions. The most important prerequisite is the desire to sing, the willingness to try a new approach, and the openness to learn from example.

Q: What should I bring to the workshops?
A: Bring sheet music for the songs/arias you would like to work on - three copies (one for yourself, Dr. Holland, and our collaborative pianist). You should also bring a recording device to record your work (nothing fancy - a smart phone will suffice).

Q: Can I learn the technique just by observation and then teach it to others?
A: No, not at all. Anyone can learn this approach to singing but it must be personally developed by the singing teacher before it can be authentically taught to others. Many hours of precise practice go into this approach to singing.

Q: Can I learn the technique quickly and master it after one workshop?
A: When first explained, it often makes a great deal of sense to the singer. The singer may be relieved to use the body as the wind instrument that truly it is! For a singer with a more established technique, this approach may be challenging at first. For both the developing singer and the professional performer, this approach to singing will be a slow evolution.